Mosaic Backer Board Sanded Plywood

Sanded Plywood Mosaic Backer Board 8-inch-x-8-inch

Mosaic Backer Board Sanded Plywood is cut from 1/2-inch cabinet-grade plywood (either maple or birch based on availability) and is suitable for indoor mosaic projects such as plaques and trivets. The bottoms of the plywood boards are gloss finished to prevent staining, but the edges are unfinished cuts, which can be left as is or painted with a neutral color of acrylic paint, stained with wood stain, etc.

The faces of some boards may have small splinters missing from the sawing process, but these will be covered by the mosaic.

Mosaic Backer Board Sanded Plywood

  • Material: cabinet-grade sanded plywood (either maple or birch based on availability).
  • Dimensions: as stated
  • Tolerance: within 1/32 inch of nominal dimensions.
  • Thickness: 1/2 inch.
  • Suitable for dry indoor use only.

Backers for Mosaic Art Projects

Using Mosaic Backer Boards

The Mosaic Backer Boards are plywood and are meant for indoor use only.

The gloss side of the plywood is the bottom. You should attach your tiles to the bare side of the wood.

Should You Pre-Seal The Boards?

Ideally, the bare side of the wood should be painted with dilute Weldbond or another PVA adhesive to make sure that the wood doesn’t suck water out of the grout while it is curing. You can dilute the Weldbond 1:1 with water to help it spread more easily on the wood. However, many mosaic artists get enough glue smeared over the face of the wood while they are mounting the tile, and so this step of sealing the wood with dilute glue is not necessary for them.

The important thing to remember about pre-sealing is that you would never want to use paint or wood sealers on anything else (other than a PVA glue) because these other materials are likely to interfere with the glue or delaminate over the years.

Drawing Your Pattern

The pattern for your mosaic can be drawn directly on the wood with an ordinary pencil. You should do this before coating the wood with Weldbond. If you forget, you can draw the pattern on the wood with a Sharpie marker after the dilute Weldbond dries.

Make sure that your tile doesn’t stick out beyond the edge of the wood, which would make it particularly vulnerable to being knocked loose or chipped by random blows over time.

Indoor Vs Outdoor Mosaics

Outdoors

Wood of any type including plywood should NEVER be used for outdoor mosaics and wet mosaics because wood swells and contracts with changes in humidity, which will cause tile to pop off long before the plywood begins to show signs of warping. For outdoor mosaic projects, you must use stone or concrete if you want the mosaic to last for more than a year or two. For wall murals, mount the mosaic directly on a stone or masonry wall or use concrete backer board such as sold for underlaying bathroom tiling. For garden mosaics, use slabs of field stone or concrete stepping stones. Remember to scuff these with a wire brush to remove contaminants, sealers and loose material before mounting the mosaic with thinset mortar.

Indoors

Indoor mosaics not subject to water can be made on plywood to save weight. There is no need to use stone or concrete backer board as the backer or thinset mortar to attach the tiles. Instead, the tiles can be mounted using a white PVA adhesive such as Weldbond and then grouted.

How To Make Mosaic Art

For more advice on designing your mosaic project or mounting, cutting, and grouting tile, please see our page of Mosaic Frequently Asked Questions or our Mosaic Information Guide, which lists instructional pages described by topic. We also post new articles about making mosaics at our How to Mosaic Blog.

Mosaic Art Glass Assortment 2-lbs

MAG Assortment Collage

Our Mosaic Art Glass Assortment includes 2-lbs of American-made stained glass pieces for making mosaic artwork. With opaque mosaic work surfaces in mind, we choose pieces for pigment density and opacity. These assortments offer a great way to sample a wide variety of stained glass types and colors. We also sell individual colors of stained glass in 6-inch sheets if you need an individual color. Piece size varies, but we try to cut pieces 2 to 3 inches wide, so there should be fewer pieces measuring 1 inch or less. Cutting Scrap will have smaller pieces.

  • Black White Gray – grayscale stained glass mix
  • Blue – variety of dark-to-light blue stained glass
  • Designer Neutrals and Foggy Grays – unusual odds-and-ends, muted and variegated pieces, landscape tones
  • Glass on Glass Mix Translucents and Transparents – foggy, cloudy, see-through multicolored mix**
  • Golden Amber Brown – variety of brown-beige stained glass
  • Green – variety of dark-to-light green stained glass
  • Iridized – all-iridescent multicolored mix**
  • Premium – rainbow+ assortment with red-orange-yellow, pink-purple, blue-green, brown, black and white
  • Sunset – warm gradient mix of red-orange-yellow and pink-purple
  • *All mixes may include one Ripple/textured piece. **All mixes emphasize opacity except Glass on Glass Mix, and Iridized may include clear iridescents.

    Product Coverage

    Each two-pound bag is approximately 1.25 square feet of stained glass. If you cut these pieces into mosaic tiles of about 3/4 inch or less and use a grout gap of 1/16 inch, then the bag could cover 1.5 square feet.

    Compatibility

    Stained glass is approximately 1/8 inch thick and therefore nominally the same as most of the glass mosaic tile we sell. We also have 3/4-inch stained glass tiles.

    Cutting Art Glass

    Mosaic Art Glass cuts quickly with minimal force using our Mosaic Glass Cutters. Caution: Stained glass is usually sharper than regular molded glass mosaic tile. Extra care must be used in cutting, handling, and grouting to ensure that sharp edges are not left exposed. One technique to knock off the razor slivers from freshly-cut stained glass edges (called flash or groze) is to swirl pieces around in a plastic bucket with a little water. The Rubbing Stone and Marble File we sell are useful for smoothing sharp edges and are recommended when the mosaic is for a wall or architectural element.

    The traditional stained glass artists’ tool for smoothing edges is the Grozing Pliers, but the Rubbing Stones and Marble Files produce smoother edges and can round off sharp points and corners.

    Mosaic Art Glass Assortment 2-lbs

    • Material: untumbled stained glass with sharp edges.
    • Piece size: varies, but most should be ABOUT 2 to 3 inches.
    • Thickness is nominally 1/8 inch but varies considerably, typically around +/- 1/32 inch.
    • Coverage: a 2-pound bag covers about 1.25 square feet.
    • American made.
    • Pigments: colorfast metal oxide.
    • Suitable for indoor/outdoor use.
    • Frost-proof and impermeable to liquid.
    • Not recommended for floors.
    • Colors vary based on availability, but we keep it colorful with an emphasis on brighter, stronger colors.

    Individual Colors Available As 6-Inch Sheets

    If you need an individual color or found one you especially liked in an assortment, see our 6-inch stained glass sheet selection.

    How To Make Mosaic Art

    For more advice on making mosaic art, please see our page of Mosaic Frequently Asked Questions or our Mosaic Information Guide, which lists instructional pages described by topic. We also post new articles about making mosaics at our How to Mosaic Blog.

      ; ;

    Mosaic Classes

    Mosaic Master Class Group
    Mosaic master artist Frederic Lecut poses with students at the end of the Opus Pixellatum class he taught at the Mosaic Art Supply warehouse in March 2017.

    Mosaic classes are listed here by geographic area with links to the artists and organizations offering the classes.

    Mosaic Art Supply, LLC, makes no recommendation or guarantee for any of these classes. Looking at the instructor’s artwork can be a good way to tell if their class is for you. If you teach mosaic classes and would like to be added to this directory, please apply by sending an email to us: [email protected]

    Still having trouble finding a mosaic class in your city? Visit our page for how to find mosaic classes in your local area.

    Classes Within the U.S.A.

    ARKANSAS

    Alice Frank
    Mosaic Maddness
    Hot Springs, AR
    [email protected]
    Mosaic Maddess offers classes throughout the state of Arkansas in conjunction with Spread Your Wings Mosaics. These “Mobile Madness” classes can be ongoing (weekly or monthly), or a one-time project. Classes are tailored to the participants, and range in difficulty accordingly. 501-321-1110

    CALIFORNIA

    Kim Emerson
    San Diego Mosaic School
    San Diego, CA
    www.kimemersonmosaics.com
    The mission at the San Diego Mosaic School is to educate and inspire everyone about the medium of mosaics as a fine art. Every level of mosaic experience is welcome. All you need is a passion for color, texture, an openness for creativity, and originality. We focus on cutting, placement of “tesserae”, compositional design, and comparing ancient Roman mosaics to the contemporary while using many different types of beautiful materials. We are located in the Normal Heights community of San Diego, California, USA.
    Katherine England
    Katherine’s Studio
    Orange County, CA
    www.katherineengland.com
    Katherine has classes for beginners and more advanced students covering basic mosaic techniques, mosaic garden sculptures, soldering stained glass, and fused glass. She also offers drawing and painting instruction.
    Nancy Howells
    Painted Chair Studio
    Santa Cruz, CA
    www.paintedchairstudio.com
    Nancy has been teaching mosaics at her studio in Santa Cruz, Ca for the past 20 years. She offers a variety of mosaic classes that include working in tiles, plates, ceramics, stained and fused glass. They are designed not only for beginners but also mastering more complicated sculptural projects. Nancy also makes a line of ceramic pieces that can be included in the mosaic projects. The large indoor studio and garden provide a relaxing and creative space, just a few blocks from the beaches in Santa Cruz.
    Love Apple Farms
    Love Apple Farms Gardening and Cooking Educational Center
    Santa Cruz, CA
    www.growbetterveggies.com
    The Love Apple Farms Educational Center offers classes for making a pique assiette garden stepping stone from your own broken china, crockery, tile, etc. Advance registration is required. Classes are held rain or shine.
    Michael Kruzich
    Michael Kruzich
    San Francisco, CA
    www.mkmosaics.com
    Mosaics are making a comeback as artists all over the world are rediscovering ancient techniques and stretching those to new and modern expressions. I invite you to explore this timeless art-form by studying classical principles and techniques handed down through the centuries by mosaic masters. From these ancient core techniques the student/artist develops a solid, yet ever-expanding knowledge from which to move forward into more contemporary applications if they choose. I hope to welcome you to one of my classes or workshops in this marvelous and meticulous art-form.
    Tami Macala
    Santa Barbara School of Mosaic Art
    Santa Barbara, CA
    www.santabarbaraschoolofmosaicart.com
    Santa Barbara School of Mosaic Art was founded in 2009 by mosaic artist Tami Macala. Tami has over 15 years experience as a professional mosaic artist and shares her knowledge and expertise with every workshop. SBSMA is located in beautiful Santa Barbara, California, and hosts many talented artists from all over the world as guest instructors. SBSMA offers weekend workshops in a variety of mosaic art styles.
    Fred and Donnell Pasion
    Passiflora Mosaics
    Grover Beach, CA
    www.passifloramosaics.com
    Since 2004 Fred and Donnell Pasion have taught hundreds of hands-on workshops, introducing thousands to mosaic art and concrete styrofoam sculpture. Whichever workshop you choose, you will discover why these weekend workshops held in their spacious studio have become so popular! Ideal for all skill levels from first-timers to seasoned hobbyists and professionals who want to refine their skills. Choose a project and you will be guided through the mosaic-making process from start to finish.
    Karen Stilton
    Mosaic Morphosis
    Woodland Hills, CA
    www.mosaicmorphosis.com
    Karen Silton is a SAMA member at the Professional level and a professional ceramic tile and mosaic artist for 15 years. She offers high quality mosaic classes for children and adults from beginner through advanced levels in a very supportive environment. A large variety of materials including handmade ceramics, glass fusions, mirror, smalti, gold, vitreous glass and millefiori are available as well. Individual interests encouraged. Classes are small. Private instruction available also.

    COLORADO

    Lily Russo
    Lily Russo
    Durango, CO
    lilymosaics.com
    Lily Russo is a mosaic artist with over 12 years experience. She offers beginner through advanced classes on stained glass and tile mosaics in Durango, Colorado and Tepoztlan, Mexico.

    CONNECTICUT

    Cynthia Fisher
    Cynthia Fisher
    Charlemont, MA
    www.bigbangmosaics.com
    I teach the basics of the indirect method with vitreous glass. I love to teach and am eager to help others discover the pleasures of working in mosaic. Beginners to advanced, classes and one-on-one workshops. I teach at various art centers in New England, including the Worcester Art Museum, MA, Snow Farm Craft Center, MA, Brookfield Craft Center, CT and in my studio in Charlemont, MA.

    FLORIDA

    MIY Ceramics
    MIY Ceramics
    Hollywood, FL
    miyceramics.com
    MIY Ceramics offers classes in mosaic, pottery, glass fusing, and painting. Craft parties and children’s classes are available.
    Laure Norton
    Beach Life Mosaics
    Jacksonville, FL
    www.beachlifemosaics.com
    Mosaic artist Laure Norton offers a variety of instructional formats including private mosaic parties and children’s classes.
    Heather Richardson
    Safety Harbor Art and Music Center
    Safety Harbor, FL
    safetyharborartandmusiccenter.com
    Create your own mosaic panel with mosaic artist Heather Richardson in this day-long workshop that will give a crash course to newbies and teach seasoned mosaic artists a few new tricks. All materials included, please bring safety glasses/goggles and rubber gloves. Private classes or private smaller group classes are available please contact Heather for more information [email protected] or call 727-424-2576
    Susanne Vernon
    Susanne Vernon Mosaics
    Gulfport, FL
    www.susannevernon.com
    Susanne Vernon Mosaics offers project based mosaic classes for beginner, intermediate and advanced students. Projects vary as do material, so please check the classes page on our website for current workshops. Children’s classes and individual instruction are also available.

    GEORGIA

    Callanwolde
    Callanwolde
    Atlanta, GA
    www.callanwolde.org
    This organization has offered mosaic classes in the past, and may still offer them from time to time.
    Spruill Arts Center
    Spruill Arts Center
    Atlanta, GA
    www.spruillarts.org
    This organization has offered mosaic classes in the past, and may still offer them from time to time.

    ILLINOIS

    The Chicago Mosaic School
    The Chicago Mosaic School
    Chicago, IL
    www.chicagomosaicschool.com
    Providing an arts education and fostering the creation of Mosaic Art using both ancient and contemporary techniques.

    INDIANA

    Maren Bell
    The Art Lab
    Carmel, Indiana
    [email protected]
    Teaches introductory mosaics workshops and offers workshops to create mosaic coasters and small frames at our location and local breweries in the area. Classes use a variety of glass tiles, millefiori and metallic shapes.

    KENTUCKY

    Pamela McGlone
    Glass With Sass
    Flemingsburg, Kentucky
    pammcglone.com
    Pamela has multiple project-oriented classes available, including a stained glass mosaic window class, and a class for garden stepping stones. She can also schedule group project classes, such as team building exercises or classes for church groups.

    LOUISIANA

    Laurel True
    True Mosaics Studio
    New Orleans, LA
    www.truemosaics.com
    Laurel True teaches mosaic classes for all levels at the New Orleans School of Art and Craft.

    MASSACHUSETTS

    Cheryl Cohen
    Cheryl Cohen Mosaics Art Center
    Holliston, MA
    www.cherylcohenmosaics.com
    Cheryl Cohen Mosaics, for beginners and master artists alike, is a combination of great art, expert instruction and a fun and supportive community. Our 800+ square foot studio a mosaic artist’s dream, filled to the brim with plates to smash, stained glass to cut, and charms, beads, costume jewelry, shells, rocks and more, to create something small like coasters or picture frames for your home, or a one-of-a-kind masterpiece. Multiple weekly classes are available for adults and children.
    Cynthia Fisher
    Big Bang Mosaics
    Charlemont, MA
    www.bigbangmosaics.com
    I teach the basics of the indirect method with vitreous glass. I love to teach and am eager to help others discover the pleasures of working in mosaic. Beginners to advanced, classes and one-on-one workshops. I teach at various art centers in New England, including the Worcester Art Museum, MA, Snow Farm Craft Center, MA, Brookfield Craft Center, CT and in my studio in Charlemont, MA.
    Caren Fishman
    Caren Zane Fishman Workshops
    Allston, MA
    carenzanefishman.com
    Students learn about the process of creating mosaics; from the use of color and placement of tile to composition, and technical aspects of grouting and completing the piece. Students will learn while doing, through demonstrations and lots of hands on time.
    Bette Ann Libby
    Bette Ann Libby Mosaics and Ceramic Sculpture
    Chestnut Hill, MA
    betteannlibby.com
    Bette Ann gives classes around 6 times a year with a focus on ceramic shard mosaics and sculpture. [email protected] 617-327-5171
    Suzanne Baratta Owayda
    Mosaic Oasis Studio & Supply
    Arlington, MA
    www.mosaicoasis.com
    On-going introductory classes (5 different sessions per week) that will prepare students to start their own project in a bright and cheerful studio. Also offers more involved workshops.

    MICHIGAN

    Adam Begley
    Adam Begley Mosaic Design at the Grand Traverse Art Center
    Traverse City, MI
    www.adambegleymosaics.com
    This basic instructional workshop offers the beginner a solid foundation in the materials and methods necessary for doing traditional mosaic artwork. Please call or e-mail as we always arrange courses on a personal basis.

    MINNESOTA

    Sheryl Tourila
    Sheryl Tourila Artist
    Minneapolis, MN
    www.sheryltuorila.com
    Small classes ensure a relaxed, fun, no pressure atmosphere for students to explore and develop their own individual creativity. A complete overview of mosaics including hands-on experience as students create one-of-a-kind custom wall panels. Explore the wide variety of mosaic materials in this class: ceramic tile, stained glass, china, and found objects. Introduction to adhesives, sources for materials and substrates. All materials included but students are encouraged to bring treasures of their own. Work outside of class may be necessary.

    MISSOURI

    Laura Rendlen
    Kansas City Mosaics
    925 West 17th St.
    Kansas City MO
    www.KansasCityMosaics.com
    3 Hour Basic Mosaics
    This class is aimed at playing with the materials, learning the tools and adhesives. The first step in finding out that this is the most addictive art form ever.
    Monthly 2nd and 4th Saturdays

    MONTANA

    Patty Franklin
    Patty Franklin Mosaics
    Hamilton, Montana
    www.pattyfranklinmosaics.com
    Patty’s highly personalized style of instruction is a great beginning to learning the basics of making a direct method, stained glass, mosaic. You will learn about the wide variety of materials and where to purchase them, the various cutting tools and how to use them, which adhesive to use for what substrates, how to design a cartoon that will translate into a mosaic, the correct way to place the glass for a beautiful flow and, you’ll receive written directions for grouting (which color and how to mix, apply, and clean up). You’ll also get the all-important dos and don’ts that Patty has accumulated over a 15 – year career in contemporary mosaic arts. This is a relaxed, fun, no pressure, hands-on 3 hour session that allows you to explore a wonderfully meditative art form. Included in the fee are all of the materials needed to do a 10” by 10” mosaic design. (Students are encouraged to bring their own treasures.)

    NEW JERSEY

    Eleanor
    Designs by Eleanor
    Towaco, NJ
    www.designsbyeleanor.com
    Eleanor teaches how to create a mosaic art classes for kids and adults in Towaco, New Jersey.
    Wendy Erdmann
    Dune Grass Mosaics
    Whitehouse Station, NJ
    dunegrassmosaics.com
    Accepts students at all levels, from beginner to advanced. All materials provided. Students learn the art of mosaics, how to design a project, how to cut and set tile, grouting and clean-up. Each student leaves with a beautiful finished product.

    NEW MEXICO

    Jill Gatwood
    Miraflores Mosaics
    Albuquerque, NM
    www.mirafloresmosaics.com
    Jill is a prolific mosaic artist. She has been teaching mosaic classes for many years, and has more classes coming up in 2023. Most of Jill’s classes are project-based, and she has a variety of project classes to choose from.
    [email protected]

    NEW YORK

    Angele and Yakov Hanansen
    Unicorn Art Studio, Inc.
    New York, NY
    www.mosaicmaster.com
    Unicorn Art Studio, Inc. has been offering mosaics classes in New York City for over 15 years. Classes are for people of all ages, beginners and those with some experience. Variety of mosaic techniques are explored in full depth. A wide range of materials is available for use in class: glass, smalti, ceramic tiles, china, stone. You are welcome to visit the studio prior to signing up! No previous mosaic making experience is required in order to take a class!
    Mosaic Workshop at Union Square Art Studio
    Union Square Art Studio
    New York, NY
    www.newyorkartworld.com
    Beginners and advanced students welcome. Workshops offered on Wednesday afternoons and evenings.

    NORTH CAROLINA

    Linda Pannullo
    Linda Pannullo Mosaics
    Ashville, NC
    www.lindapannullomosaics.com
    Linda offers workshops with visiting mosaic artists of note in beautiful Ashville, NC.

    OREGON

    Denny Nkemontoh
    Denny’s Workshop at Helvetia Farms
    Hillsboro, OR
    www.dennys-workshop.com
    Denny offers beginning mosaic classes — including glass on glass, ceramic, and polymer clay. In addition, she periodicaly hosts special classes featuring guest instructors such as Kelley Knickerbocker and Christian Peres Gibaut. The studio sometimes offers open hours, as listed on the website.

    PENNSYLVANIA

    Carol Shelkin
    Carol Shelkin Mosaics
    Philadelphia, PA
    www.carolshelkinmosaics.com
    A variety of mosaic techniques and materials are explored. Carol has been teaching art for over 25 years and has fine art professional training. She offers mosaic workshops, private lessons on all levels throughout the Philadelphia area and specialty workshops nationwide and worldwide including: Canada, Costa Rica, Australia and Mexico.

    TEXAS

    Michele Patrick
    Mosaics by Michele Studio
    Houston, TX
    www.mosaicsbymichele.com
    Monthly basic and intermediate classes offered. Wide range of materials used, students learn basic and intermediate design, setting, cutting, grouting techniques. Tools and material provided.

    VERMONT

    Burlington Community Glass Studio
    Burlington Community Glass Studio
    Burlington, VT
    www.burlingtonglass.net
    We offer a variety of stained glass design and mosaic design classses. Classes vary from 15 week 3 credit college level class to 3 hour workshops. Please call or e-mail for dates and times of upcoming classes 802-324-4019.
    Bette Ann Libby
    Bette Ann Libby Mosaics and Ceramic Sculpture
    Waitsfield, VT betteannlibby.com Bette Ann has a studio in Vermont where she gives mosaic workshops in the summer during the Vermont Festival of the Arts. [email protected] 802-496-3639

    VIRGINIA

    Anita Bucsay Damron
    Anita Bucsay Damron Fine Art
    Reston, VA
    www.anitadamron.com
    Anita is a prolific working artist showing at multiple galleries, and she offers mosaic classes at The Reston Community Center, The Art League School (Torpedo Factory) Madison Street Annex, and The Workhouse Art Center (Lorton).

    During COVID-19 Anita has also added LIVE online classes to her offerings.

    Bonnie Fitzgerald
    Maverick Mosaics
    Vienna, VA
    www.maverickmosaics.com
    Maverick Mosaics specializes in unique learning experiences and creating beautiful art. Our educational focus is to Open Doors to your Creativity and help you Discover your Artistic Voice. We are dedicated to nurturing and expanding creative expression through the art and community of mosaic. Maverick Mosaics offers a variety of workshops and learning opportunities for all ages and skill levels, and we’re honored to host the region’s broadest schedule of acclaimed mosaic artists from around the world who share their talent and masterful techniques. We host art retreats and International travel adventures.

    WASHINGTON

    Kelley Knickerbocker
    Rivenworks Mosaics
    Seattle, WA
    www.rivenworksmosaics.com
    Kelley offers multilevel classes in glass mosaic, including her signature textured glass and stacked glass techniques. Kelley also offers one-on-one instruction tailored to specific interests, from design and cutting to architectural applications. Volunteers interested in gaining experience by assisting with commissions in the studio are welcome.
    Jennifer Kuhns
    JK Mosaics
    Southwest WA
    jkmosaic.com
    Jennifer Kuhns has installed architectural mosaic throughout the U.S., for private, corporate and public clients. She also creates some portable artwork and garden mosaic, and she offers classes in techniques ranging from beginner to advanced levels. Jennifer’s specialties are precision glass scoring and techniques for mosaic installation, including exterior considerations.

    Classes Outside the U.S.


    ITALY

    Lucio Orsoni and Antonella Gallenda
    Orsoni Smalti Veneziani
    Venice, Italy
    www.orsoni.com
    Orsoni offers two-week thematic courses in micro-mosaic and portraiture as well as a Master in Mosaic course which is offered as either a 1 week, 2 week, or 3 day workshop. The Master course is accredited through the International Interior Design Association and a Master certificate is awarded to those who complete the 1 or 2 week course.

    MEXICO

    Nancy Shelby
    Hacienda Mosaico
    Puerto Vallarta, Mexico
    www.haciendamosaico.com
    Shelby Glass Studio of California in conjunction with Hacienda Mosaico offers a weeklong workshop for beginners and intermediate levels in wonderful Puerto Vallarta, Mexico. This workshop includes highly personalized instruction in a non competitive, creative atmosphere. Included in the tuition are all materials, a beautiful room and breakfast and lunch prepared by our own chef. This year Shelby is offering a Mosaic Mask Workshop: A Mixed Media Event! Contact Shelby at [email protected] for more information.
    Nina Di Giovanni
    Nina Di Giovanni Mosaics
    San Miguel de Allende, Mexico
    www.ninadigiovanni.com
    Offers 3-5 day workshops in contemporary, Byzantine, and Pre-Columbian mosaics. Nina is an award-winning mosaic artist and educator, Ravenna trained with over 20 years experience in contemporary and traditional mosaic. Classes are located in a beautiful historical artist’s paradise – San Miguel de Allende – a safe and welcoming place in the heart of Mexico.

    NEW ZEALAND

    Peter Smith
    Waiohiki Art Centre
    Hawkes Bay, New Zealand
    www.waiohikiartsvillage.com
    Artist Peter Smith teaches mosaic classes at the Waiohiki Art Centre in Hawkes Bay.

    UNITED ARAB EMIRATES

    Selina Royce
    Dubai, U.A.E
    Mosaic Art By Selina
    Selina has been doing mosaic art over a decade and participated in various exhibitions in U.A.E.

    UNITED KINGDOM

    Concetta Perot
    Glittering Shards
    London, UK
    www.glitteringshards.com
    Evening Workshops, weekday Mosaic Maker Drop-In’s and one-to-one classes in South London. weekly evening mosaic workshops in 7 week blocks. Each evening runs from 8-10pm at the studio of mosaic artist, Concetta Perot, in Tooting, London SW17. The course is suitable for all levels and small classes ensure lots of individual attention. During the course you can expect to make a small mosaic and gain knowledge about the variety of mosaic materials, tools, techniques, glues, suppliers, different mosaic methods and various do’s and don’ts. Concetta also runs Mosaic Maker Drop-In’s on Thursday mornings: you can come whenever you are able and take advantage of learning, resources and being exposed to the work of others for inspiration.
    Davie Davidson
    DRAW (Drumchapel Arts Workshop)
    Glasgow, Lanarkshire & Scotland, UK
    www.draw.org.uk
    The class covers a brief history and styles of mosaics with step by step help planning and creating your mosaic art piece.

    Mosaic Tool and Supply Info

    Summaries of some of the most important tools and supplies we offer for working with mosaic tile.

    The mosaic supplies you need depend on the type of mosaic tile you are using (glass or ceramic or stone) and how you plan to install them. Five minutes of reading can save you five hours of frustration on your mosaic project.

    For a complete listing of tweezers, sponges, gloves, dental picks, spatulas, etc., visit our mosaic tools page.

    mosaic glass cutter
    The glass cutter nips off pieces of glass.

    Mosaic Glass Cutter

    The most important tool for working with glass mosaic tile is the Mosaic Glass Cutter, which is a compression tool like a tile nipper, but the replaceable blades are shaped like wheels.

    While a regular tile nipper tends to crush and splinter glass tile, the Mosaic Glass Cutter allows the artist to make cleaner, more precise cuts. (Tile Nippers were made for ceramic materials.) With proper use, the wheel-shaped blades stay sharp and effective for hundreds and hundreds of hours of use.

    We also sell replacement blades.

    weldbond adhesive 160ml
    Weldbond dries strong and clear.

    Weldbond

    An amazing product. Weldbond is a water-based adhesive that looks and handles just like plain white glue yet cures stronger than many of the smelly solvent-based glues. The manufacturer’s brochure calls Weldbond “the most versatile, non-toxic, non-flammable adhesive on the North American market.” We don’t think this is an exaggeration. Weldbond is probably the most-used adhesive among mosaic artists with no close second. It bonds to hundreds of different materials and is very water-resistant once it dries.

    The new 160ml bottle (pictured) is light weight and easy to handle, but we also sell a 420ml bottle and 3 litre jug. We recommend using the jug to refill one of the smaller bottles. Easy clean-up with soap and water.

    Note that Weldbond is very water resistant but not water proof. Artists use Weldbond for back-splashes and vertical surfaces where water can drain off, but you shouldn’t use it for shower floors or pools or fountains. For outdoor and wet mosaics, use thinset mortar instead of adhesives.

    2lb container of grout
    Sanded grout. Just add water.

    Grout

    Our grout is a traditional portland-cement grout that includes sand. Sand is needed for strength when the gaps between tiles are 1/8″ or greater, but sanded grout can also be used when the gaps are smaller. All of the mosaics at the Riverson gallery were made with sanded grout.

    Choosing A Grout Color

    Grout can totally change the look of a mosaic, and it is possible to ruin a mosaic with the wrong color grout. To make the individual tiles stand out visually, you have to choose a grout color that CONTRASTS the colors of the tiles. Avoid choices like grey grout with grey tile. In my experience, a grout with some color almost always looks better than white grout.

    How Much Grout Do I Need?

    The amount needed depends as much on the gaps between the tiles as it does the total area. If your gaps are the standard 1/16 inch, then you will probably use less than 1 lb. of grout per square foot. If you have thick tile with large gaps, you could use over 1.5 lb. Keep in mind that you have to budget extra for all of the wasted grout that falls off the sides of the mosaic.

    Fiberglass Mesh

    mosaic tile mesh 38.5 inch wide x 150 feet
    Fiberglass mesh can be used for laying down tile in advance for rapid installation.

    Ceramic and Marble File

    ceramic marble file
    Ceramic and marble file for smoothing and shaping sharp edges formed by cutting tile.

    Grouting Bags

    Grouting Bag
    Grouting Bags are for dispensing grout and thinset neatly for detailed work.

    Compound Tile Nipper

    Compound Tile Nipper
    Compound Tile Nipper for cutting extremely hard tile, porcelain, and stone.

    Using Fiberglass Mesh

    Fiberglass Mesh

    Mosaics are sometimes laid up on a thin and flexible fiberglass mesh for rapid installation. Tiles are glued to the mesh using a white PVA adhesive such as the Weldbond brand adhesive we sell. Once the mosaic is assembled on the mesh, the mosaic artwork can be pressed into thinset mortar or adhesive and mounted to the surface to be covered.

    Our mesh is sold in uncut lengths like fabric in linear feet. The roll is 38 inches wide, so each linear foot actually gives you 3 square feet of mesh.

    When Not To Use Mesh

    If your mosaic will be in a pool or shower floor, you may want to avoid mesh because it involves glue to attach the tile to the mesh. For these “wet” mosaics, you lay them up face down on mounting paper using a temporary glue such as Elmer’s School Glue in what is called the “reverse method” because you glue the tiles upside down on paper. These finished sheets are pressed into thinset mortar, which is allowed to harden overnight, and the next day the paper is misted and removed. Note that this is different from how fiberglass mesh is used, which goes underneath the tile and is permanent. Most people prefer mesh to paper because the “reverse method” of using paper means that you have to lay out your mosaic upside down.

    When You Can Use Mesh

    Note that mesh and glue CAN be used on kitchen and bathroom back-splashes and other vertical surfaces where water does not pool. You CAN use mesh for dry indoor floors, walls, etc. You CAN use mesh for mosaic tables and plaques, but why would you? Sometimes it makes sense to draw your pattern on the surface to be mosaiced and simply start gluing tile to it.

    Mosaic Butterfly by Caroline Lahman
    Mosaic Butterfly by Caroline Lahman

    Caroline laid this butterfly mosaic up on fiberglass mesh. It is ready to be installed. In this instance, the artist glued the background tile around the butterfly on the same mesh. However, if she wasn’t doing that sort of background she could have trimmed away the surrounding mesh and used the mosaic butterfly as an insert into a space in existing tiling.

    completed butterfly mosaic
    Caroline’s completed butterfly after installation.

    Tips for using mosaic tile mesh:

    • Tape a piece of clear plastic or kitchen wrap over the top of your pattern so that you don’t accidentally glue the mosaic tile mesh to the pattern or work table.
    • It may be easier to work in small sections, such as 1 ft x 1 ft, than to lay the entire mosaic on one piece of mesh
    • Some people lay the mosaic on one large sheet of mesh, and then cut this sheet with a box cutter to make it easier to mount to the wall.

    Mosaic Glues

    Choosing the right adhesive for your mosaic

    Picking the correct adhesive or glue is a very important decision when starting a mosaic, possibly the most important. If you choose the wrong one, your mosaic will not last as long as it should.

    The best way to make a decision is to understand the different choices of adhesives and which ones works better with certain surfaces and tesserae. The primary deciding factor will be where the mosaic will live once it is complete: indoors or outdoors.

    Indoor mosaic glue

    Mosaic Mirror by Natalija Moss
    Most mosaics intended for indoor use such as this mirror can be made using Weldbond and sanded grout.
    weldbond adhesive 160ml
    Weldbond Adhesive 160ml (5.4oz) the best mosaic glue made.

    Weldbond is the best. It’s a water based PVA glue, has no fumes, dries clear and water resistant, bonds to most any surface, is non-toxic and cleans up easily. We’ve extensively tested it, which you can read about here. However, I prefer to use thinset bonding mortar for floors. It gives a more stable and durable walking surface and better resists water seepage when cleaning the floors.

    Outdoor mosaic glue

    Red Stained Glass Flower Flagstone
    Thinset is the best adhesive for outdoor mosaics such as this garden stone.

    In choosing adhesive for outdoor mosaics, it’s probably best to avoid adhesives altogether and use thinset mortar (a sticky concrete with added polymers) instead. To use thinset, you should read and follow the instructions on the package for mixing, handling and disposal. We also have a guide to using thinset. In brief, thinset is like grout and other concrete products. This means that the best place to mix them up is outside, and you should wear a dust mask if have trouble mixing it up without creating a lot of dust. (Our artists merely stand upwind and mist it with a spray bottle until they get it mixed up.)

    I usually mix up about 1 or 2 pounds at a time and smear it on the wall with a small trowel or putty knife. I spread it out to about 1/8″ to 1/4″ thick and press my mixed materials directly into the concrete. I wear rubber examination gloves and keep a damp rag so I can wipe away any excess that squeezes up to the face of the tiles. If you keep the concrete in the bucket covered so that it doesn’t dry out, then it should stay workable for several hours. I made the mosaic columns at the gallery using thinset mortar in this way. I always keep a small bucket with a little water and rag to clean my hands from time to time and a dry rag in my lap.

    See our illustrated grouting tutorial for more details.

    At this time, we no longer recommend using a construction adhesives in an outdoor environment. Use adhesives other than thinset at your own risk.

    Read more about outdoor mosaic considerations.

    Glue for marbles and round stones

    Marbles and round stones can be a challenge. Unless they are being pressed into cement face-up on a horizontal surface like stepping stones, the right adhesive choice is important. You may be able to use a thick cosntruction adhesive for this purpose, though it isn’t recommended to do this for outdoor mosaics. It is probably best to use thinset in these cases.

    Understanding Different Types of Mosaic Adhesives

    PVA Glues

    PVA glues like Welbond are water soluble adhesives that will clean up with water. PVA glues should not be used on any outdoor project. Even if it isn’t exposed to rain, humidity can also loosen the bond. When working in the indirect method, PVA glue can be used to adhere tiles to fiberglass mesh. It also bonds well with any type of tile and wooden or acrylic surfaces. Again, Weldbond is the best and it dries clear.

    Thinset Mortar

    Thinset is a sticky cement which can be messy to work with, but it is necessary for outdoor projects if you want them to hold up. It can be found at any hardware store, and is often only sold in large quantities. The best surfaces for thinset are porous, such as cement, cement backerboard, and wood and terracotta. To use with non-porous surfaces like glass, the thinset has to be mixed with admixes instead of water, which are either latex or acrylic liquids that make the thinset sticky. Premixed thinset is not as good as dry mix.

    sun catchers made with silicone
    Stained glass was glued with clear silicone to square pieces of clear glass to make these sun catchers.
    Silicone

    Silicone is used most often on glass surfaces because it comes in transparent varieties. It usually comes in a caulking tube and can take some time to get used to. It is difficult to remove and if you apply too much, it will come up between the tiles and make grouting more difficult and incomplete. When used under larger sheets, the areas towards the inside may never cure completely.

    Epoxy

    Epoxy is used on metal surfaces, but works on wood and glass also. It can hold up outdoors in ideal conditions, but it is very difficult to use and has a noxious odor. Once it is mixed, it must be used quickly. But when it is used successfully and correctly, it is a very strong adhesive and it dries clear.

    Other Glues

    In speaking with other mosaic artists, you will likely find that everyone has their own preferences for adhesives and that they are used in different ways from artist to artist. Understanding the characteristics of each type of adhesive will help you in finding the best solution for you in your various projects. When working with a new glue, be sure it is what you need for your project. Is it for interior or exterior, is it toxic, and will it work with your surface? Other than Welbond, the most popular brands for mosaics are Liquid Nails, MacGlue, and Gorilla Glue. Once you’ve experimented with several types of adhesives, you will get a feel for what you prefer and what works best.

    NOTE

    Always clean up excess glue before you grout. After water soluble glue has dried for a day or two, I come back and mist the mosaic with water. After about 10 minutes, any traces of glue that are sticking up on the sides of the tile will start to turn white. I then take a razor knife like a box cutter or exacto knife and trim away the excess glue. This cleaning step ensures that there will be no glue sticking up and not covered by grout.

    Illustrated Mosaic Instructions

    How To Make A Mosaic

    These instructions are for an indoor mosaic not subjected to excess moisture. The mosaic process is similar for outdoor mosaics (such as pools and fountains) but thinset mortar is used outdoors instead of Weldbond adhesive. For wet mosaics such as shower floors, you also need to use thinset. Thinset is a sticky concrete with polymers added for strength, adhesion and water resistance.

    More information on outdoor mosaics, specialized topics and advanced mosaic methods can be found on our Outdoor Mosaic Guide.

    Our FAQ page also contains additional mosaic instructions, tips on using thinset and answers to many specific mosaic questions. It is constantly being expanded and has solutions for many common mosaic problems. Also, here are some tips on how to avoid disasters while grouting.

    For an indoor project not subjected to moisture, it is very simple:

    1. Draw a simple “cartoon” (outline) on the mosaic surface. You can copy a mosaic pattern from a coloring book or your favorite pattern of china or fabric. See our blog article on creating easy mosaic art patterns from photos and images.

    The Mosaic pattern is transferred ready for tiling.
    The Mosaic pattern is transferred ready for tiling. This is a dry indoor mosaic, and so the tile can be attached with Weldbond Adhesive. For outdoor and wet mosaics. aconcrete stepping stone or piece of flagstone could be used for a backer and the tiles mounted with thinset mortar.

    2. Decide what size mosaic tiles are most appropriate for the level of detail in the design (don’t use 1″ tiles to make details that are 1/2″). Lay a few tiles down just to make sure the colors look right together.

    It’s better to take a loose, creative approach to picking colors and textures for your mosaic – a variety of surfaces and color often delights the eye more than even fields of color. Have a look at our Mosaic Artists Gallery for inspiration!

    3. Glue the tiles to the surface one at a time. We recommend Weldbond Adhesive. Make sure the gaps between the tiles are about 1/8 inch or less.

    We’ve extensively tested Weldbond, and consider it the most practical adhesive for indoor mosaic projects.

    For outdoor projects, other considerations are required. See our comprehensive guide to outdoor mosaic for more details.

    Work In Progress Goldfish Mosaic by Joe Moorman
    Work In Progress Goldfish Mosaic

    4. After the glue cures for 24 hours, grout the mosaic with regular tile grout. Follow our comprehensive guide to grouting, “How To Grout Mosaic Art“.

    For more complicated designs, you can lay the project up on fiberglass mesh (by gluing sparingly with Weldbond adhesive), or you can pick up the tiles with clear contact paper. In either case, the next step would be to spread glue or cement on the surface and press the sheet of mosaic onto the glue or cement.

    We have even more information, advice and how-to’s on our Frequently Asked Mosaic Questions page.

    Continue to wipe off the excess grout.
    Grouting isn’t as agonizing as you might imagine – follow our step-by-step grouting instructions.

    We carry everything you might need to make a mosaic:


    See the Mosaic Tips below for more help with your mosaic.

    Mosaic Tips from Our Resident Mosaic Artist

    • Start simple.
    • Make a small mosaic plaque before you mosaic a wall or floor. That way you can work out your materials and methods before the big job.
    • How can you draw a design? Simple drawings like those in a coloring book work best. The color and the details come when you add the tile and glass. I always sketch something on paper and then come home and draw a simple cartoon on my plywood or concrete board using a magic marker. If drawing is a sore spot, you can create mosaic patterns easily without drawing as well.
    • My first rule of grouts is to choose a contrasting color. If you use white grout with white tile or grey grout with grey tiles, then the tiles don’t stand out from the grout, and most of the detail of your design will be lost. When in doubt, black grout is usually the answer.
    • My personal second rule of grouts is that DARKER GROUTS ALMOST ALWAYS LOOK BETTER. I have almost always been disappointed when using plain white grout. White grout makes a nice mosaic look like a summer camp project! Try an off-white or light beige if you think you need a light color. Also remember that grouts are much darker while they are wet and get lighter as they cure.
    • Don’t know anything about glues, grouts or tiling? Your local hardware store or handyman is a mosaic expert even though they’ve never made one. (You might not know anyone who has made a mosaic, but you probably know someone who has tiled a bathroom or kitchen. The technical skills are very similar.)
    • Use a wheeled glass cutter to cut glass and smalti. Use a tile nipper to cut ceramic tiles, china and other dishes.
    • Always wear safety glasses when cutting tile or glass or mixing grout. (Grout is mildly caustic and has sand and grit in it.) Making a mosaic can be fun but you should always be careful.
    • Grout mosaics outside. It’s a messy process. Look at books on home improvement for basic techniques of grouting if you’re not sure. Keep grout damp as it cures and do not allow it to dry out rapidly, otherwise it will crumble. Remember, the grout is binding water internally in a chemical process as it cure. It is NOT drying.
    • Keep mosaic tiles and supplies out of reach of children. Use caution when handling the broken glass and ceramics.
    • Spend a little more time on your mosaic. Don’t rush and don’t think about what you want to make next. It can make a world of difference in your satisfaction.
    • Avoid plywood as a backer unless you can seal the edges and bottom. Wood materials absorb water over time and warp, and then grout and tiles pop off. You might not be trying to recreate a timeless Roman mosaic that will endure for centuries, but at least make something that will last 2 or 3 years. Use plywood at least 1/2″ thick inside and concrete or concrete board outside. Always use concrete or concrete board as the base of any mosaic that will be walked on. Concrete board can be purchased from building material stores. A common brand name is Wonderboard. For my indoor mosaics, I laminate 1/4″ Wonderboard to cabinet grade plywood backers.
    • The best all-around glue for making mosaics is Weldbond. It is a water-based adhesive that looks and handles just like plain white glue, yet it cures stronger than many of the smelly solvent-based glues. The manufacturer’s brochure calls it “the most versatile, non-toxic, non-flammable adhesive on the North American market.” I agree. It bonds to hundreds of different materials and is very water-resistant once it dries. It cleans up easy with soap and water.
    • If you make a mistake, don’t be afraid to pry some of the tiles off if you don’t like what you see. (Wear goggles or safety glasses with side shields.)
    • I always wait for a week or two before I grout a piece. That way I have a chance to change things before they are literally set in concrete.
    • Simple and crude can also be noble. It’s ok if your art has blemishes and mistakes. That’s what makes it interesting and keeps it from looking like it was made on an assembly line. Don’t try to make it a perfect reproduction of anything, and you’ll probably be much happier with the time spent and the results.
    • Avoid making copies of phony arts-n-crafts stuff. There’s way too much of that around. Make your mosaic YOUR way and it will be genuine art in the highest sense of the word.

    Legal Disclaimer and Copyright Information

    No warranty is implied by these instructions. Use at your own risk. Please wear goggles when cutting mosaic materials or mixing grout. Mosaic materials are often sharp. Keep out of reach of children. Do not overload patio tables with mosaic materials so that the table becomes unstable (top heavy). You should also make sure that the table frame can support the overall weight. Copyright 2009 J.E. Moorman. Please link to these instructions freely, but email us if you would like to reproduce them for classes, etc.

    How To Grout Mosaic Art

    Learn to grout mosaic art
    Learn how to grout mosaic art in this tutorial.

    There is nothing unique about mosaic grouts. The grouts and sealers used for mosaic artwork are the same ones used for ordinary bathroom tiling, and the techniques of applying the grout are the same. If you are ever uncertain and need information in a pinch, you can ask questions at your local building material store or look at their book on how to tile or bathroom repair, which they usually keep on the same aisle where they sell grout and supplies or in the plumbing department or near the registers. The point is that grouting isn’t rocket science and most handymen and women have done it before.

    We carry everything you need to start grouting right away.

    Estimating How Much Grout Is Needed

    How much grout you need depends on three things: the area of the mosaic = L x W, the thickness of the tiles and the gaps between the tiles. If the tiles are well-spaced (all gaps under 1/4″), then you should be able to cover the entire mosaic of 18″ x 18″ with 2 lbs of grout. This is assuming your tiles are under 3/8″ thick. I always set my mosaic on an old shower curtain or piece of plastic to catch all the wet grout that falls off the side as I’m spreading it. That way I can scoop it up all the dropped grout and re-use it. Otherwise you need a lot more grout because most of it is wasted when it falls on the dirty floor.

    If the gaps between your mosaic tiles are greater than 1/8 inch, then you may need grout with sand in it, such as we sell. The sand reinforces the grout to prevent cracking if the gaps are greater than 1/8 inch. Note that standard grout gaps are usually about 1/16 inch.

    How to grout a mosaic

    Step 1: Preparation

    Grout outdoors if at all possible to minimize dust contamination and clean up of wet grout. Wherever you work, set up a clean area to work in and make sure you have all the tools you will need. Usually you need a bucket of water, some kind of tray to mix the grout in, a mixing stick, a sponge, rubber gloves, a dust mask, and some paper towel or old rags. You can use latex gloves in a pinch if your mosaic is made from smooth tiles, but rubber gloves are recommended when you’re grouting any kind of tile that has sharp edges. Those edges will rip through latex gloves as you spread the grout around.

    The mosaic needs to be fully dried before you begin. Wait at least 24 hours after gluing down the last tile before you grout your mosaic if you used Weldbond.

    Workspace set up for grouting.
    Set up a clean workspace for grouting.

    Step 2: Mix the Grout

    Wear a dust mask when you do this step. Estimate how much grout you need for the mosaic and pour it into the tray. In this example we used the cut-off bottom of an old plastic jug. If you don’t mix enough grout you can always mix some more. The grout container should indicate how much water to use. The dust generated in this process is very fine and can spread all over the place, that’s why it’s best to do this outside. If you do grout inside, just be sure to vacuum the area once you finish grouting.

    Mix grout with a common paint mixing stick.
    Add water and stir the grout with a paint mixing stick.

    Step 3: Grout the Mosaic

    This is the least complicated step. You just need to grab a glob of grout and mush it into the mosaic. Keep doing this until all areas have been covered in grout.

    Just grab a glop of grout and put it on the mosaic.
    Start with a big glob of grout.
    Rub grout into the mosaic.
    Just smear it into the mosaic.

    Step 4: Verify Total Grout Coverage

    Before you haze the grout, you need to be sure that all of the cracks were completely filled. Look closely and ensure that there are no bubbles between the grout and the wood. Run your fingers along each crack and push the grout down in.

    Detail of pushing grout into cracks.
    Make sure grout gets in every crack.
    Grout covering the entire mosaic.
    Now you’re ready to wipe off the excess.

    Step 5: Clean with Grout Sponge

    For smaller projects you can sometimes omit this step and just use rags and paper towel to wipe off the excess grout, but for anything approaching 1 square foot in area or larger you want to do it with a sponge as demonstrated here.

    Animation of wiping the grout off.
    Wipe a straight line in one direction.
    Wash off all the excess grout.
    Rinse the sponge when it’s covered in grout.

    Step 6: Clean the Haze

    The sponge will have cleared the bulk of the extra grout off, but there will probably be a thin grout haze left over. It’s okay to let the haze dry for a few minutes to make it more visible and easier to clean before you try to wipe it off. To clean it use a dry rag or paper towel. You should be able to clean an area of 1 square foot with only 1 or 2 paper towels.

    Grout haze on the mosaic.
    A thin haze is still on the mosaic.
    Polish the haze with a paper towel or rag.
    Polish the haze off using a paper towel or rag.

    Step 7: Final Touchups

    Look around for areas where grout is built up on any tiles. This usually happens where tiles are of different thicknesses. This can be done with a rag or paper towel wrapped around your finger. Make sure the grout is roughly flush with, or slightly lower than the tiles around it.

    Grout on a lower tile.
    Grout is built up around this tile.
    Look around for other such spots.
    The same spot wiped clean.

    All done!

    Once it’s cleaned off you’re finished with the grout. Allow a few days to cure fully, but usually it should be pretty solid after a few hours. The time for full curing can depend on the heat and humidity where you did the grouting. Some pieces of dust or sand may slowly fall off the mosaic over the next few days, don’t be alarmed if that happens.

    Mosaic with grouting complete.
    The comet is finished and is ready to be installed in its table.
    Mosaic Comet Table by Natalija Moss
    Stars are illuminated by LEDs.

    Selecting a Grout Color

    I always choose a grout color which contrast the colors of the mosaic tiles so that the design is highlighted. Otherwise the individual tiles run together and are lost to the eye, and the mosaic looks more like an ordinary picture and less like a mosaic made from pieces. I avoid situations like gray grout with gray tile. A nice red-brown terra cotta grout works better in that instance. The key concept is color contrast instead of matching colors.

    Color is best provided by the tile, not the grout. In terms of a visual element, the grout is supposed to act like a thin gray pencil line whose only purpose is to make each tile distinct. I don’t think I’ve ever seen a mosaic that used colored grout that wouldn’t have looked better if all tile had been used instead. For example, let’s say you wanted red tile in pink grout. A better way to get the same color effect would be to mix in a few pink tiles randomly throughout the red tiles, or maybe use a few lines of pink tiles. Often this means you have to cut your tile just a little bit smaller. That being said, it is possible to dye grout.

    Dyeing Grout

    There are mineral concrete dyes sold at building material stores, and these can be used, although the range of colors is limited to black, brown, gray, terracotta, etc. Vegetable dyes such as food colors will not work. You can use artists acrylic paint to color grout by mixing it in the wet grout. I recommend experimenting with tiny batches of grout and letting it harden before grouting a mosaic you have worked many hours on.

    The Best Grout Color

    Sometimes it is hard to decide which color grout to use because your mosaic already contains so many colors. The best color grout to use for most mosaics is black. Here’s why: The purpose of grout in visual terms is to make each tile distinct in the same way a pencil line in a watercolor is used to provide definition but not color. Black provides just enough contrast to most colors, unless you have black tile, and then you might want to consider something else.

    Avoid pure white unless you are trying to make something that looks like a little kid’s summer camp project. Most building material stores such as Lowes and Home Depot cary about 30+ colors of grout. We carry the most commonly needed colors. Bring a few of each color of your tiles with you, and you can pick the color grout that works best with all the tile.

    Grouting Stone Tile and Unglazed Ceramic

    You should always seal unpolished stone and unglazed ceramic tiles with a tile and grout sealer BEFORE you grout. This is necessary for all porous materials that can be stained by grout. You should seal using a Stone Enhancer instead of tile and grout sealer if you want to darken and enhance the natural color of the stone. Both of these products are available at local building material stores. For a stone mosaic that is already stained, you might want to try some of the muratic acid that contractors use to clean cement from bricks.

    Cracking and Crumbling Grout

    You shouldn’t let the grout dry out as it cures. Cover with plastic if necessary. Lightly mist with a spray bottle, but don’t let drops accumulate on the surface of the grout. It also helps if you mix the grout according to instructions. It should be like a thick moist dough when you start with no dry material or lumps, and it should stick to your mixing wand, not drip, slide or crumble off.

    Sanded Grout vs. Unsanded Grout

    Don’t use unsanded grout. Unsanded grout is only used to fill hairline cracks. (Or it is mixed with sand for normal use.) If you use unsanded grout, then you can expect cracks in your grout and grout that isn’t quite as hard and durable.

    Note: some tutorials incorrectly advise against using sanded grout because it might scratch the tile during grouting. Very few high quality mosaic materials will be soft enough to be damaged in this way, and you shouldn’t be using such easily scratched materials in any functional setting (bathrooms, counters, table tops et cetera…). Some ‘craft’ materials may have softer glazes which could be scratched by sand, but if you grout carefully the issue is easily avoided. There is no need to use a lot of force when grouting. If you have doubts about the durability of your materials, make a small test piece first.

    If you decide to use unsanded grout, be sure to understand exactly why you are using it instead of the the stronger alternative.

    Disposal of Grout Waste

    Never pour grout down your drains. Grout is concrete, and that isn’t good for your plumbing. It will clog the pipes. I make a point of pouring as much of my grout sludge in an old cardboard box and allowing it to harden for disposal as solid waste. I always just dilute the dirty grout water and pour it in on my compost heap. The grout is a limestone product, so it actually helps balance the pH when there is excess decaying organic matter. Of course, this only applies to traditional grouts. I am not familiar with the synthetic epoxy grouts that some craft sites are selling. For easy cleanup, I always do my grouting in the backyard instead of indoors.

    Outdoor Mosaic Project

    An example of how to design, tile and grout an outdoor mosaic on a cement backer.

    The following is a case study of an outdoor mosaic by David Cater, using work-in-progress photos taken by the artist. We have a separate page which summarizes our general instructions for outdoor mosaics, but the example below gives lots of insight.

    I was deeply touched by David’s project, especially how he hand set each tile. My first mosaic was made almost in a trance state where I had no concern for efficiency or how much work it took. I hand chipped broken china with an ordinary claw hammer and didn’t even take the time to get a tile nipper, even though that tool would have save me hours and hours. It really was a labor of love, and I see that in David’s project too.

    In the text below, I explain how David executed his project, but I also make comments on how the mosaic could have been made with less labor.



    David Cater
    David’s initial sketch


    David Cater
    Laying out the tiles beforehand


    David Cater
    Complete layout

    Concept Sketch

    Like most mosaic projects, David’s sidewalk mosaic started as a concept sketch where the street number of his house is incorporated with a cardinal and dogwood design. Note how the red cardinal matches the red of the border, which helps to integrate the picture with the design as a whole. Note how the blue sky and the white dogwood make good contrasts with the red.



    Choosing Colors

    Color choices are as important as the composition. To save frustration, get your color choices worked out before you attach the first tile. Sometimes it helps just to play with tile laid out on the surface to be mosaiced. I like to draw my cartoon (outline) on the surface and lay the tile in the different areas of the cartoon.

    Design tools like color wheels are great for picking out initial choices, but colors usually have to be laid side by side before you can be absolutely certain they work together. This is particularly true when using different shades of each color



    Initial Layout

    David laid out his design on a sheet of plywood as a temporary surface. Note that David screwed a frame around his work area to define the size of the mosaic and provide a stop for straight edges.

    To speed the placement of tile, an outline of the design could have been sketched onto the plywood. Most people have difficulty doing this because they aren’t experienced with drawing. The good news is that you don’t have to be.



    Easy Method to Transfer and Enlarge Drawings

    Simply use a ruler to draw a grid on your sketch. Then draw another grid on your larger surface. Notice that each square of the grid on the drawing contains just a little part of the drawing, usually just a few curved lines. Draw these same curved lines in same square of the large grid. You don’t even have to think about what you are drawing. Just copy what’s in each square, one square at a time. This makes it easy to enlarge and transfer outlines.

     

    Complete Layout

    In the above photo, we see that David has his design completely laid out and all tiles positioned, which represents many hours of labor.

    At this point, clear contact paper could have been pressed onto the face of the tile to pick the entire mosaic up at once, which would allow the mosaic to be installed rapidly by pressing into thinset mortar. However, one problem with using clear contact paper to pick a mosaic up like this is that individual tile can get out of position while the contact paper is being pressed down. This problem can be minimized by laying out the tile on a nonslip surface, such as a sheet of rubber. That way the tiles can’t easily slip out of place when the contact paper is applied.

    Another labor-saving method would have been to lay the mosaic out upside down on brown mosaic paper such as the kind we sell. In that method, the tiles are temporarily glued face-down on paper using a water-soluable glue like Elmer’s Glue. The sheet of mosaic is then pressed into cement, which allowed to harden over night. Then the paper is misted with water and peeled off.

     


    David Cater
    The area to be mosaiced

    Surface Preparation

    David poured some new concrete approximately 4 inches thick for his mosaic. Note that the concrete is slightly lower than the surrounding brick so that the surface of the mosaic will be flush with the brick. You can put mosaics on existing cement, but you should use a wire brush to scour the surface to remove any loose sediments and invisible sealers, which could interfere with bonding.

     


    David Cater
    David transferred the tiles one by one onto the new surface

    Mounting Mosaic Tile

    David manually transferred each tile from his temporary tray and mounted the individual tile using thinset mortar.

    Note that this means David had to manually position each tile twice: once in the tray when he laid up his design and then once again when he sets each individual tile in mortar. That is why using contact paper or mosaic mounting paper to pick the entire mosaic up at once for rapid installation saves an enormous amount of work.

    Another technique for speeding the work is to lay the mosaic up on 1/2″ concrete backer board and then cement the entire concrete board in place using thinset mortar. The only caveat would be to make sure the edges of the board aren’t damaged and crumbly. The edges of concrete backer board can be repaired and reinforced using thinset mortar.

     


    David Cater
    Grouting after all tiles are down

    Grouting the Mosaic

    Grouting is done by smearing grout across the face of the mosaic and pressing the grout into the gaps between the tile. Indoor mosaics do not require grouting and the tile can be pressed tightly together. Outdoor mosaics must be grouted because the grout keeps water from penetrating between the tile, which is disastrous especially when the water freezes.

    Make sure that you press the grout between the tile very thoroughly so that there are no voids or bubbles beneath a thin veneer of grout. This takes some repeated rubbing and pressing on the tile, and this is why you should never grout before the cement or adhesive has been allowed to harden for several days.

    Note that a thin haze of grout can be buffed off after the grout has hardened, but most of this excess grout should be removed while still wet. The mosaic in the photo still needs some wiping. Make sure your sponge is damp but not so wet that drops of water could squeeze out and damage the wet grout. Keep your mosaic covered with plastic as it cures or otherwise keep it from drying out. Otherwise the grout will be soft and crumbly. Remember grout and concrete harden by binding water, not by dehydration.

     


    David Cater
    David’s completed mosaic

    Seal Thoroughly

    I should also note that outdoor mosaics on horizontal surfaces are particularly vulnerable to moisture and freeze damage because horizontal surfaces allow water to pool. (Keep in mind that the mosaics of the ancient Greeks and Romans lasted for millennia because the Mediterranean is a warm dry climate.) One thing that can be done to minimize this risk is to slightly tilt the otherwise flat surface or to make it slightly round. For example, the seat of a concrete bench can be rounded slightly using a small amount of concrete mortar to build up the center of the seat by approximately 1/2″ and gently sloping down to the edges. Of course, this would need to be done at least a few days before attaching tile.

    Regardless of the orientation, all outdoor mosaics should be sealed thoroughly with a tile and grout sealer, taking special care to seal the edges. Multiple applications should be made to ensure that all of the tiny pores in the grout and concrete are sealed. For added strength and stain resistance, you can use a concrete sealer instead of an ordinary tile and grout sealer. Again, the most important points are to take special care to seal the edges and use multiple coats to ensure complete coverage.