Table of Morjo matches and closest substitutions for Elementile colors.
Plastic Storage Jar Square-Grip Clear PET 32oz is perfect for storing and displaying glass mosaic tile. The square shape makes these jars stack efficiently in a small bookshelf. The clear plastic makes the contents visible, which is essential for storing studio materials that are chosen on sight. Holds about 2 to 3 pounds of tile.
Mosaic tile should be displayed side by side in the studio so that the artist can select just the right color. These clear plastic jars make this possible. We arrange our shelves in “rainbow order” (red-orange-yellow-green-blue-purple-pink) plus browns and black-white-grays. This allows use to find colors quickly, and so we always return the colors to this order, but during a studio session, we are constantly pulling out jars and placing them in different combinations. This is how we quickly evaluate different color schemes for a mosaic before we even start taking tile out of the jar.
For more advice on designing your mosaic project or mounting, cutting, and grouting tile, please see our page of Mosaic Frequently Asked Questions or our Mosaic Information Guide, which lists instructional pages described by topic. We also post new articles about making mosaics at our How to Mosaic Blog.
Plastic Storage Jar Square-Grip Clear PET 48oz is perfect for storing and displaying glass mosaic tile. The square shape makes these jars stack efficiently in a small bookshelf. The clear plastic makes the contents visible, which is essential for storing studio materials that are chosen on sight.
Mosaic tile should be displayed side by side in the studio so that the artist can select just the right color. These clear plastic jars make this possible. We arrange our shelves in “rainbow order” (red-orange-yellow-green-blue-purple-pink) plus browns and black-white-grays. This allows use to find colors quickly, and so we always return the colors to this order, but during a studio session, we are constantly pulling out jars and placing them in different combinations. This is how we quickly evaluate different color schemes for a mosaic before we even start taking tile out of the jar.
For more advice on designing your mosaic project or mounting, cutting, and grouting tile, please see our page of Mosaic Frequently Asked Questions or our Mosaic Information Guide, which lists instructional pages described by topic. We also post new articles about making mosaics at our How to Mosaic Blog.
Free Mosaic Pattern Goldfish fits the 6×6-inch mosaic backer board we sell and can be transferred onto the board using these instructions in our blog article. Carbon transfer paper may be easier than coating the entire back of the pattern with charcoal because there are so many lines to be transferred.
Prints on 8.5 x 11 inch paper.
<!–This pattern was designed using the 12mm (~1/2 inch) Elementile Recycled Glass Mosaic Tile.
The more closely you attempt to fit the tile together, the more tile you will have to scrap because they don’t always cut exactly as desired. It is easier and more efficient to leave a grout gap. You need a grout gap to properly seal out water.
These numbers are inflated to account for cutting scrap. In theory, you can cover the entire pattern in 144 UNCUT tiles with barely a gap. These numbers at their high end add up to 288 tiles, and 216 tiles at their low end. It’s better to have tile left over for other projects, especially if you aren’t sure how steady your cuts will be.
–> <!–REMEMBER THAT YOU CAN USE DIFFERENT COLORS FROM THESE.
We cannot sell partial bags of tile. Of course you will have many tiles left over if the color is only used in 2 or 20 tiles! That is a good thing. You build a library of materials at home that you can be used for other mosaics, hopefully your own designs. We plan to offer kits soon that include the quantities listed above, but until time permits that work, please do not email us asking for partial bags.
–>Free Mosaic Patterns are available as PDF downloads for customers who checkout using the normal shopping cart checkout process. Other materials do not have to be ordered.
This pattern mounted on the 6×6-inch backer board produces a mosaic where the tiles extend all the way to the edge of the board so that edge of the mosaic looks like what it is (an authentic mosaic).
However, the tile needs to stop at the edge of the backer and not stick out. If unframed, the outer edges of the glass tile need to be smoothed by rubbing with a fine-grain stone of moderate hardness, which can be found on the ground or streets most places, or by using the fine-grain sides of a ceramic marble file or a dual-grit rubbing stone. Rub finished mosaics with care and practice first by rubbing sharp tiles before you glue them down. (I have used ordinary found stones for this purpose -JM)
A finished 6×6-inch mosaic made with glass tile on our backer boards should have the same dimensions and thickness as a 6×6-inch stretched canvas painting, and so it can fit in a standard 6×6-inch gallery frame meant for paintings.
Many books and authorities recommend NOT extending the tiles all the way to the edge of a backer because it makes those tiles vulnerable to damage by impact and by leaning the mosaic on its edge. We have observed that the 6×6-inch size is small and light enough to be handled without these types of damage being as much of an issue provided the mosaic is handled with care. Also, we think the raw mosaic edge is a vital part of the look and feel when displaying the finished artwork. The make great objects d’art when displayed unframed in the easels used for displaying china plates.
For more advice on designing your mosaic project or cutting and grouting tile, please see our Mosaic Frequently Asked Questions page or our How To Mosaic blog or our Mosaic Information Guide.
Free Mosaic Pattern Crowing Rooster fits the 6×6-inch mosaic backer board we sell and can be transferred onto the board using these instructions in our blog article. Carbon transfer paper may be easier than coating the entire back of the pattern with charcoal because there are so many lines to be transferred.
Prints on 8.5 x 11 inch paper.
<!–This pattern was designed using the 12mm (~1/2 inch) Elementile Recycled Glass Mosaic Tile.
The more closely you attempt to fit the tile together, the more tile you will have to scrap because they don’t always cut exactly as desired. It is easier and more efficient to leave a grout gap. You need a grout gap to properly seal out water.
These numbers are inflated to account for cutting scrap. In theory, you can cover the entire pattern in 144 UNCUT tiles with barely a gap. These numbers at their high end add up to 288 tiles, and 216 tiles at their low end. It’s better to have tile left over for other projects, especially if you aren’t sure how steady your cuts will be.
REMEMBER THAT YOU CAN USE DIFFERENT COLORS FROM THESE.
We cannot sell partial bags of tile. Of course you will have many tiles left over if the color is only used in 2 or 20 tiles! That is a good thing. You build a library of materials at home that you can be used for other mosaics, hopefully your own designs. We plan to offer kits soon that include the quantities listed above, but until time permits that work, please do not email us asking for partial bags.
–>Free Mosaic Patterns are available as PDF downloads for customers who checkout using the normal shopping cart checkout process. Other materials do not have to be ordered.
This pattern mounted on the 6×6-inch backer board produces a mosaic where the tiles extend all the way to the edge of the board so that edge of the mosaic looks like what it is (an authentic mosaic).
However, the tile needs to stop at the edge of the backer and not stick out. If unframed, the outer edges of the glass tile need to be smoothed by rubbing with a fine-grain stone of moderate hardness, which can be found on the ground or streets most places, or by using the fine-grain sides of a ceramic marble file or a dual-grit rubbing stone. Rub finished mosaics with care and practice first by rubbing sharp tiles before you glue them down. (I have used ordinary found stones for this purpose -JM)
A finished 6×6-inch mosaic made with glass tile on our backer boards should have the same dimensions and thickness as a 6×6-inch stretched canvas painting, and so it can fit in a standard 6×6-inch gallery frame meant for paintings.
Many books and authorities recommend NOT extending the tiles all the way to the edge of a backer because it makes those tiles vulnerable to damage by impact and by leaning the mosaic on its edge. We have observed that the 6×6-inch size is small and light enough to be handled without these types of damage being as much of an issue provided the mosaic is handled with care. Also, we think the raw mosaic edge is a vital part of the look and feel when displaying the finished artwork. The make great objects d’art when displayed unframed in the easels used for displaying china plates.
For more advice on designing your mosaic project or cutting and grouting tile, please see our Mosaic Frequently Asked Questions page or our How To Mosaic blog or our Mosaic Information Guide.
Sales and Retail Prices
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Our Mosaic Art Glass Assortment includes 2-lbs of American-made stained glass pieces for making mosaic artwork. With opaque mosaic work surfaces in mind, we choose pieces for pigment density and opacity. These assortments offer a great way to sample a wide variety of stained glass types and colors. We also sell individual colors of stained glass in 6-inch sheets if you need an individual color. Piece size varies, but we try to cut pieces 2 to 3 inches wide, so there should be fewer pieces measuring 1 inch or less. Cutting Scrap will have smaller pieces.
Each two-pound bag is approximately 1.25 square feet of stained glass. If you cut these pieces into mosaic tiles of about 3/4 inch or less and use a grout gap of 1/16 inch, then the bag could cover 1.5 square feet.
Stained glass is approximately 1/8 inch thick and therefore nominally the same as most of the glass mosaic tile we sell. We also have 3/4-inch stained glass tiles.
Mosaic Art Glass cuts quickly with minimal force using our Mosaic Glass Cutters. Caution: Stained glass is usually sharper than regular molded glass mosaic tile. Extra care must be used in cutting, handling, and grouting to ensure that sharp edges are not left exposed. One technique to knock off the razor slivers from freshly-cut stained glass edges (called flash or groze) is to swirl pieces around in a plastic bucket with a little water. The Rubbing Stone and Marble File we sell are useful for smoothing sharp edges and are recommended when the mosaic is for a wall or architectural element.
The traditional stained glass artists’ tool for smoothing edges is the Grozing Pliers, but the Rubbing Stones and Marble Files produce smoother edges and can round off sharp points and corners.
If you need an individual color or found one you especially liked in an assortment, see our 6-inch stained glass sheet selection.
For more advice on making mosaic art, please see our page of Mosaic Frequently Asked Questions or our Mosaic Information Guide, which lists instructional pages described by topic. We also post new articles about making mosaics at our How to Mosaic Blog.
; [product_table category=”mosaic-art-glass” widths=”auto,auto,12,12,20″] ;The mosaic supplies you need depend on the type of mosaic tile you are using (glass or ceramic or stone) and how you plan to install them. Five minutes of reading can save you five hours of frustration on your mosaic project.
For a complete listing of tweezers, sponges, gloves, dental picks, spatulas, etc., visit our mosaic tools page.
The most important tool for working with glass mosaic tile is the Mosaic Glass Cutter, which is a compression tool like a tile nipper, but the replaceable blades are shaped like wheels.
While a regular tile nipper tends to crush and splinter glass tile, the Mosaic Glass Cutter allows the artist to make cleaner, more precise cuts. (Tile Nippers were made for ceramic materials.) With proper use, the wheel-shaped blades stay sharp and effective for hundreds and hundreds of hours of use.
We also sell replacement blades.
An amazing product. Weldbond is a water-based adhesive that looks and handles just like plain white glue yet cures stronger than many of the smelly solvent-based glues. The manufacturer’s brochure calls Weldbond “the most versatile, non-toxic, non-flammable adhesive on the North American market.” We don’t think this is an exaggeration. Weldbond is probably the most-used adhesive among mosaic artists with no close second. It bonds to hundreds of different materials and is very water-resistant once it dries.
The new 160ml bottle (pictured) is light weight and easy to handle, but we also sell a 420ml bottle and 3 litre jug. We recommend using the jug to refill one of the smaller bottles. Easy clean-up with soap and water.
Note that Weldbond is very water resistant but not water proof. Artists use Weldbond for back-splashes and vertical surfaces where water can drain off, but you shouldn’t use it for shower floors or pools or fountains. For outdoor and wet mosaics, use thinset mortar instead of adhesives.
Our grout is a traditional portland-cement grout that includes sand. Sand is needed for strength when the gaps between tiles are 1/8″ or greater, but sanded grout can also be used when the gaps are smaller. All of the mosaics at the Riverson gallery were made with sanded grout.
Choosing A Grout ColorGrout can totally change the look of a mosaic, and it is possible to ruin a mosaic with the wrong color grout. To make the individual tiles stand out visually, you have to choose a grout color that CONTRASTS the colors of the tiles. Avoid choices like grey grout with grey tile. In my experience, a grout with some color almost always looks better than white grout.
How Much Grout Do I Need?The amount needed depends as much on the gaps between the tiles as it does the total area. If your gaps are the standard 1/16 inch, then you will probably use less than 1 lb. of grout per square foot. If you have thick tile with large gaps, you could use over 1.5 lb. Keep in mind that you have to budget extra for all of the wasted grout that falls off the sides of the mosaic.
These instructions are for an indoor mosaic not subjected to excess moisture. The mosaic process is similar for outdoor mosaics (such as pools and fountains) but thinset mortar is used outdoors instead of Weldbond adhesive. For wet mosaics such as shower floors, you also need to use thinset. Thinset is a sticky concrete with polymers added for strength, adhesion and water resistance.
More information on outdoor mosaics, specialized topics and advanced mosaic methods can be found on our Outdoor Mosaic Guide.
Our FAQ page also contains additional mosaic instructions, tips on using thinset and answers to many specific mosaic questions. It is constantly being expanded and has solutions for many common mosaic problems. Also, here are some tips on how to avoid disasters while grouting.
For an indoor project not subjected to moisture, it is very simple:
1. Draw a simple “cartoon” (outline) on the mosaic surface. You can copy a mosaic pattern from a coloring book or your favorite pattern of china or fabric. See our blog article on creating easy mosaic art patterns from photos and images.
2. Decide what size mosaic tiles are most appropriate for the level of detail in the design (don’t use 1″ tiles to make details that are 1/2″). Lay a few tiles down just to make sure the colors look right together.
It’s better to take a loose, creative approach to picking colors and textures for your mosaic – a variety of surfaces and color often delights the eye more than even fields of color. Have a look at our Mosaic Artists Gallery for inspiration!
3. Glue the tiles to the surface one at a time. We recommend Weldbond Adhesive. Make sure the gaps between the tiles are about 1/8 inch or less.
We’ve extensively tested Weldbond, and consider it the most practical adhesive for indoor mosaic projects.
For outdoor projects, other considerations are required. See our comprehensive guide to outdoor mosaic for more details.
4. After the glue cures for 24 hours, grout the mosaic with regular tile grout. Follow our comprehensive guide to grouting, “How To Grout Mosaic Art“.
For more complicated designs, you can lay the project up on fiberglass mesh (by gluing sparingly with Weldbond adhesive), or you can pick up the tiles with clear contact paper. In either case, the next step would be to spread glue or cement on the surface and press the sheet of mosaic onto the glue or cement.
We have even more information, advice and how-to’s on our Frequently Asked Mosaic Questions page.
We carry everything you might need to make a mosaic:
See the Mosaic Tips below for more help with your mosaic.
No warranty is implied by these instructions. Use at your own risk. Please wear goggles when cutting mosaic materials or mixing grout. Mosaic materials are often sharp. Keep out of reach of children. Do not overload patio tables with mosaic materials so that the table becomes unstable (top heavy). You should also make sure that the table frame can support the overall weight. Copyright 2009 J.E. Moorman. Please link to these instructions freely, but email us if you would like to reproduce them for classes, etc.
